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夏目漱石の作品の中の建築の研究 : 舞台空間の推移からみた作品の類型について
https://nitech.repo.nii.ac.jp/records/4377
https://nitech.repo.nii.ac.jp/records/4377e8526dc2-c912-42be-95d9-ae0eecf69b4f
名前 / ファイル | ライセンス | アクション |
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本文_fulltext (1.0 MB)
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社団法人日本建築学会
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2012-11-07 | |||||
タイトル | ||||||
タイトル | 夏目漱石の作品の中の建築の研究 : 舞台空間の推移からみた作品の類型について | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | ナツメ ソウセキ ノ サクヒン ノナカノ ケンチク ノ ケンキュウ : ブタイ クウカン ノ スイイ カラ ミタ サクヒン ノ ルイケイ ニツイテ | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | THE ARCHITECTURAL STUDY ON THE LITERARY WORKS OF SOUSEKI NATSUME : Classifiying his works according to the change of stage-space | |||||
著者 |
若山, 滋
× 若山, 滋× 張, 奕文× 渡辺, 孝一 |
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著者別名 | ||||||
姓名 | Wakayama, Shigeru | |||||
書誌情報 |
日本建築学会計画系論文集 号 476, p. 101-109, 発行日 1995-10-30 |
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出版者 | ||||||
出版者 | 日本建築学会 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13404210 | |||||
書誌レコードID(NCID) | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10438548 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
論文ID(NAID) | ||||||
関連タイプ | isIdenticalTo | |||||
識別子タイプ | NAID | |||||
関連識別子 | http://ci.nii.ac.jp/naid/110004654142 | |||||
関連名称 | 110004654142 | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | In the present paper, we studied the architectural space in the literary works of Souseki NATSUME who is expected as a representative writer of modern Japan. All wordings related to the urban and architecture were extracted from 12 of his works and the space of stage was specifically analyzed. We found that extremely various architectural wordings were appeared in his works, which indicates sort of compound aspects of cultural situation in Japan in that time. According to the distinction in the change of stage-space in his works written in different time, his works could be classified into four patterns. In his earlier works (until Sanshirou, 1908) the change of stage-space was active and extensive, whereas in his latter works (since Sorekara, 1909) it was uneasy and circulated. | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf |