@article{oai:nitech.repo.nii.ac.jp:00001544,
 author = {大貫, 徹},
 journal = {New Directions},
 month = {Mar},
 note = {Tomioka Taeko, known as one of the most famous feminist writers, has focused on the roles of men and womeninmodern Japanese culture. We may find it difficult to get beyond the somber overtones of her writing; her characters seem apathetic, and her plots can be depressing and disturbing. But her work is not without merit: her writing can be read as social commentary on Japanese society. It's easy to see how her female protagonists are strong, independent, and openly sexual. In this paper, we attempt to analyze To-i Sora (The Deep Sky) (1979), comparing with En attendant Godot (1952) de Samuel Beckett., application/pdf},
 pages = {47--66},
 title = {「遠い空」あるいはもうひとつの「ゴドーを待ちながら」},
 volume = {25},
 year = {2007},
 yomi = {オオヌキ, トオル}
}