@article{oai:nitech.repo.nii.ac.jp:00001566,
 author = {有為楠, 泉},
 journal = {New Directions},
 month = {Mar},
 note = {Imagism in poetry was led by Ezra Pound and the otherImaglsts mainly in 1910s in England. D. H. Lawrence's relation with Imagism can be seen from the fact that he contributed several poems to "the Imagism Special Number" of The Egoist (a modernistic magazine), and the serles of Some Imagist Poets. Some of these poems, especially the ones with the theme of World War I, are deeply connected with the style and structure of Women in Love he wrote almost contemporarily. So far, themodemistic aspects of Women in Love have been examined by many researchers from various viewpoints, such as mythology, futurism and vorticism, focused on "movement", "energy", "force", "destruction", etc. However, it has rarely been analyzed from the viewpoint of its relation with his war poems. In fact, his magisticexpressions can be pointed out here and there in this novel, especially in dealing with conflicts, wars, and their innuences on the minds of characters. This paper examines Lawrence's Imagistic war poems such as "Eloi, Eloi, Lama Sabachthani?", "Erinnyes", "Bits", etc., and the relations of these poems with his novel Women in Love. As its result, his views on wars will alsobecome apparent., application/pdf},
 pages = {77--90},
 title = {イマジズム戦争詩とWomen in Love},
 volume = {29},
 year = {2011},
 yomi = {ウィックス, イズミ}
}